The House. The Mentor. The Archive. Christian Kieckens
Press release
ARCHITECTURE IN WICH EVERY PART IS ESSENTIAL. Christian Kieckens is one of a generation of architects who laid the foundations for the international breakthrough of Flemish architecture in the 1970s. In this retrospective exhibition, the Flanders Architecture Institute pays tribute to a man who has made reflection on architecture his trade mark.
"Architecture is to buildings what music is to sound."
- Christian Kieckens
Architecture is much more than just building houses; it is a way of living. Everything he does is pervaded with architecture. His career has been a quest for the way word and image, theory and history fuse in the imagination and in use. This is apparent from the visual simplicity of many of his designs.
Since the 1970s he has concentrated entirely on ‘research into the independence of architecture’: the churches of Francesco Borromini, the pyramid of Cheops, baroque domes in Bohemia, Swiss neutrality, the work of his mentor Pieter De Bruyne and so on.
‘Designing architecture in which every part is essential. Nothing more, but nothing less either,’
- Christian Kieckens
A scenography as a mirror for a career The title of the exhibition The house. The mentor. The archive is a reflection of three major guiding elements in Kieckens’ career. As he puts it: ‘In a house one seeks, imagines and builds. The mentor looks, writes and passes down. While the archive preserves, provides and remains aloof. The architect is not present at this point, what is shown is that which remains.’
This triple division is also noticeable in the design of the exhibition. ‘The house’ is an installation in the form of a space made of textiles on a scale of 1 to 1; ‘the tent, as the origin of architecture’. ‘The archive’ shows both original drawings from the 1974-1995 period and a focus on the transfer of knowledge in his design practice from 1996 to 2015. The third section – ‘the mentor’ – covers his work as a lecturer at various architectural institutions since 1980. It includes documentation of study trips, invitations for guest professorships, publications and student projects, mainly from the Open Studio at Antwerp University.
The essence of Kieckens’ message, both in the exhibition and as an architect and lecturer, is the creation of unity in a design. ‘Designing architecture in which every part is essential. Nothing more, but nothing less either,’ according to Kieckens.